Directing · geboren 1900-06-01 · Asakusa, Tokyo, Japan
大藤信郎
Born 1900, in Tokyo. Ofuji learned the basics of animation under Junichi Kouchi, and later developed his own unique animation style using cutouts from chiyogami (Japanese traditional decorative paper with colored patterns). While strictly maintaining his independent production style, he attempted a variety of techniques such as paper cutouts, cel, silhouette, and colored cellophane.
Bekannt aus
- 黒ニャゴ (1929) – Director
- 國歌 君か代 (1931) – Director
- 村祭 (1930) – Director
- 春の唄 (1931) – Director
- 馬具田城の盗賊 (1926) – Director
- 幽霊船 (1956) – Director
- みかん舩 (1927) – Director
- 煙り草物語 (1926) – Director
- 切紙細工 西遊記 孫悟空物語 (1926) – Director
- 鯨 (1952) – Writer
- 降妖记 天狗退治 (1934) – Director
- 熊に喰われぬ男 (1948) – Director
- こがねの花 (1929) – Director
- 蛙三勇士 (1933) – Director
- お関所 (1930) – Director
- 花と蝶 (1954) – Director
- 蜘蛛の絲 (1946) – Director
- かつら姫 (1937) – Director
- 色彩漫画の出來る迄 (1937) – Himself
- ちんころ平々玉手箱 (1936) – Director
- 心の力 (1931) – Director
- Yuki no yo no yume (1947) – Director
- 沼の大将 (1933) – Director
- 花見酒 (1924) – Director
- 鯨 (1927) – Director
- マレー沖海戰 (1943) – Director
- 釈迦の生涯 (1961) – Director
- 団子兵衛捕物帖 開けーごまの巻 (1952) – Director
- The Roots of Japanese Anime Until the End of WWII: 1930-1942 (2008) – Director
- のろまな爺 (1924) – Director
- 千代紙漫画 だんごの行方 (1937) – Director