Directing · geboren 1936-01-01 · New York, New York, U.S.A.
Joan Jonas
Joan Jonas is an American visual artist and a pioneer of video and performance art who is one of the most important female artists to emerge in the late 1960s and early 1970s.[1] Jonas' projects and experiments provided the foundation on which much video performance art would be based. Her influences also extended to conceptual art, theatre, performance art and other visual media. She lives and works in New York and Nova Scotia, Canada. From Wikipedia.
Bekannt aus
- Strong Medicine (1981)
- Regrouping (1976) – Self
- Keep Busy (1975)
- Vertical Roll (1972) – Organic Honey
- Volcano Saga (1989) – Woman
- I Want to Live in the Country (And Other Romances) (1976)
- Glass Puzzle (1973) – Director
- Double Lunar Dogs (1984)
- Left Side, Right Side (1972)
- Moving Off the Land (2018) – Self
- Lines in the Sand
- Good Night Good Morning (1976) – Director
- Merlo (1974) – Director
- The Shape, the Scent, the Feel of Things (2004) – Director
- Mirage (1976) – Director
- Upsidedown and Backwards (1980) – Director
- They Come to Us without a Word [“Wind Sequence” excerpt] (2015) – Director
- In the Trees (2015) – Director
- Revolted by the Thought of Known Places...Sweeney Astray (1992) – Director
- Wind (1968) – Director
- Disturbances (1974) – Director
- My New Theater VI: Good Night Good Morning '06 (2006) – Director
- Jamaican Fisherman (2019) – Director
- Mirror Check (1974) – Director
- Barking (1973) – Director
- Shadows/Como (2007) – Director
- Two Women (1973) – Director
- Duet (1972) – Director
- Organic Honey's Visual Telepathy (1972) – Director
- Ice Drawing – Director
- He Saw Her Burning (1983) – Director
- Paul Revere (1971) – Director
- Mirror Imrprovisation (2005) – Director
- Songdelay (1973) – Director
- Waltz – Director
- Waltz (2003) – Director
- May Windows – Director
- Big Market – Director
- Brooklyn Bridge (1988) – Director