Camera · geboren 1893-07-21 · Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]
Eugen Schüfftan
Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler. From Wikipedia.
Bekannt aus
- Metropolis (1927) – Visual Effects
- Haie der Großstadt (1961) – Director of Photography
- Augen ohne Gesicht (1960) – Director of Photography
- Hafen im Nebel (1938) – Director of Photography
- Die Fahrten des Odysseus (1954) – Special Effects
- Napoleon (1927) – Visual Effects Supervisor
- Der schwarze Spiegel (1946) – Visual Effects
- Menschen am Sonntag (1930) – Director of Photography
- Lilith (1964) – Director of Photography
- Was morgen geschah (1944) – Technical Supervisor
- Ein sonderbarer Fall (1937) – Director of Photography
- Bluebeard (1944) – Director of Photography
- The Strange Woman (1946) – Producer
- Angst in der Stadt (1964) – Director of Photography
- Mit dem Kopf gegen die Wände (1959) – Director of Photography
- Wilde Knospen (1961) – Director of Photography
- Ein eleganter Gauner (1946) – Production Supervisor
- Drei Zimmer in Manhattan (1965) – Director of Photography
- Kapitän Sindbad (1963) – Cinematography
- Die ehrbare Dirne (1952) – Director of Photography
- Gunman in the Streets (1950) – Director of Photography
- Ohne ein Morgen (1940) – Director of Photography
- Der scharlachrote Vorhang (1953) – Director of Photography
- The Bloody Brood (1959) – Director of Photography
- Summer Storm (1944) – Director of Photography
- Chappaqua (1966) – Camera Operator
- Hitler's Madman (1943) – Director of Photography
- Voice in the Wind (1944) – Technical Advisor
- Die Herrin von Atlantis (1932) – Director of Photography
- Le Drame de Shanghaï (1938) – Director of Photography
- Mollenard (1938) – Director of Photography
- Die Jungfrauen (1963) – Director of Photography
- Women in the Night (1948) – Set Decoration
- La Tendre Ennemie (1936) – Director of Photography
- L'Atlantide (1932) – Director of Photography
- La Première Nuit (1958) – Director of Photography
- Hawkeye and the Last of the Mohicans (1957) – Director of Photography
- Manon Lescaut (1926) – Additional Photography
- Gebrandmarkt (1937) – Director of Photography
- Spione in Saloniki (1937) – Director of Photography