Camera · geboren 1942-06-15 · Middleton, Bell Township, Pennsylvania, USA

Nick Elliot

Bekannt aus

El Paso Wrecking Corp. (1977) – Director of Photography
Behind Every Good Man (1967) – Director
Brothers (1973) – Producer
Kansas City Trucking Co. (1976) – Director of Photography
Armee der Liebenden oder Revolte der Perversen (1979) – Director of Photography
Gettin' Down (1979) – Director of Photography
Closed Set (1980) – Director of Photography
Made in Hollywood (1990) – Director of Photography
The Idol (1979) – Director of Photography
Garage Sale (1976) – Director of Photography
Inch by Inch (1985) – Director of Photography
Bigger Than Life (1987) – Director of Photography
Spalding Gray's Map of L.A. (1984) – Director of Photography
Gemini (1977) – Director of Photography
Skin Deep (1982) – Director of Photography
The Harder They Fall (1979) – Director of Photography
Morning, Noon and Night (1976) – Writer
The Age of Ballyhoo (1973) – Editor
Kappa (1986) – Director of Photography
Two Days in a Hot Place (1977) – Director of Photography
Where Joey Lives (1979) – Director
Flesh and Fantasy (1980) – Director of Photography
Nightcrawler: A Leathersex Fantasy (1986) – Director of Photography
The Big Surprise (1980) – Director of Photography
Wet Shorts (1980) – Director of Photography
Sizing Up: Before Your Very Eyes (1984) – Director of Photography
Like a Horse (1984) – Director of Photography
Al Parker's Flashback (1981) – Camera Operator
Bi-Bi Love (1986) – Cinematography
Sex, Lies & Video Cassettes (1989) – Director of Photography
The Brig (1982) – Director of Photography
Three Day Pass (1981) – Director
Private Collection (1980) – Camera Operator
Pieces of Eight (1980) – Director of Photography
Straight (1976) – Director of Photography
Palace of Pleasures (1981) – Director of Photography
Skin Flix (1982) – Director of Photography
Snowballing (1975) – Director
Jeff Stryker's Powerfull II: The Return (1989) – Director of Photography
Blacklode (1985) – Director of Photography