Camera · geboren 1885-07-08 · Göteborg, Göteborg- och Bohus län, Sweden
Julius Jaenzon
Julius Jaenzon (8 July 1885 – 17 February 1961) was a Swedish cinematographer, essential in the early Swedish silent cinema. He is most known for his collaborations with directors Victor Sjöström and Mauritz Stiller, particularly in adaptions of novels by Selma Lagerlöf. Especially the accuracy with which he mastered the double exposure, for example in The Phantom Carriage, was much admired at the time.
Bekannt aus
- Der Fuhrmann des Todes (1921) – Director of Photography
- Terje Vigen (1917) – Director of Photography
- Berg-Ejvind och hans hustru (1918) – Director of Photography
- Herr Arnes pengar (1919) – Director of Photography
- Gösta Berlings Saga (1924) – Director of Photography
- Vingarne (1916) – Cameraman
- Der Gärtner (1912) – Director of Photography
- 91:an Karlsson (1946) – Director of Photography
- Die Herrenhofsage (1923) – Director of Photography
- Vem dömer (1922) – Director of Photography
- Ingmarssönerna (1919) – Director of Photography
- Synd (1928) – Cinematography
- Eld ombord (1923) – Director of Photography
- Mästerman (1920) – Director of Photography
- Dunungen (1919) – Director of Photography
- Dödskyssen (1916) – Director of Photography
- Dr. Monnier und die Frauen (1928) – Director of Photography
- Madame de Thèbes (1915) – Director of Photography
- Sara lär sig folkvett (1937) – Cinematography
- Ingmarsarvet (1925) – Director of Photography
- Gränsfolken (1913) – Cinematography
- Judaspengar (1915) – Cinematography
- För hennes skull (1930) – Director of Photography
- Polnisch Blut (1916) – Director of Photography
- New York 1911 (1911) – Cinematography
- Landstormens lilla argbigga (1941) – Director of Photography
- Två konungar (1925) – Director of Photography
- Hjärtats triumf (1929) – Director of Photography
- Kungliga Johansson (1934) – Director of Photography
- Markurells i Wadköping (1931) – Director of Photography
- Löjtnantshjärtan (1942) – Director of Photography
- Klart till drabbning (1937) – Director of Photography
- Alexander den Store (1917) – Director of Photography
- Bränningar (1935) – Director of Photography
- Med Ingrid Bergman på Berns (1953) – Self
- Serments (1931) – Cinematography
- Bröllopsresan (1936) – Director of Photography
- Charlotte Löwensköld (1930) – Director of Photography
- Giftasvuxna döttrar (1933) – Director of Photography
- Valfångare (1939) – Director of Photography