Directing · geboren 1909-08-17 · Rome, Italy
Raffaello Matarazzo
Largely misunderstood, at best considered a little master of an Italian cinema in full revival after the war thanks to neo-realism, Raffaello Matarazzo is nevertheless the author of some sumptuous melodramas whose success was spectacular in post-fascist Italy. Matarazzo started writing film reviews for the Roman newspaper Il Tevere before re-editing scripts for the Italian film company Cines. His first films were comedies until he shifted to making melodramas. With Catene, produced by Titanus in 1949, he became the most successful director in Italy. Audience loved his melodramas. Critics, however, have tended to disparage his work, saying that Matarazzo films were Neorealismo d'appendice. Since the 1970s, some film critics have tried to restore Matarazzo's reputation. French magazine Positif loved his erotic-historical peplum The Ship of Lost Women.
Bekannt aus
- Sühne ohne Sünde (1949) – Director
- I figli di nessuno (1951) – Director
- Treno Popolare (1933) – The Director of the Band (uncredited)
- Cerasella (1959) – Director
- Gute Nacht, Herr Advokat! (1955) – Story
- Das Schiff der verlorenen Frauen (1953) – Director
- Das Reismädchen (1956) – Director
- Opfergang einer Mutter (1950) – Director
- Frauen hinter Gittern (1955) – Director
- Chi è senza peccato.... (1952) – Director
- Torna! (1954) – Producer
- L'avventuriera del piano di sopra (1941) – Director
- La fumeria d’oppio (1947) – Director
- Verdi, ein Leben in Melodien (1953) – Director
- L'intrusa (1955) – Director
- Malinconico autunno (1958) – Director
- Il birichino di papà (1943) – Director
- Adultero lui, adultera lei (1963) – Director
- La schiava del peccato (1954) – Director
- Sono stato io! (1937) – Director
- L'ultima violenza (1957) – Director
- L'Albergo Degli Assenti (1939) – Director
- Giù il sipario (1940) – Writer
- Hochzeitstag (1942) – Director
- Vortice (1953) – Story
- Il tenente Giorgio (1952) – Director
- L'anonima Roylott (1936) – Editor
- Guai ai vinti (1954) – Director
- Empezó en boda (1944) – Director
- I terribili sette (1963) – Director
- Littoria (1933) – Director
- La Voce Lontana (1933) – Screenplay
- L'imprevisto (1940) – Writer
- Paolo e Francesca (1950) – Director
- Trappola d'amore (1940) – Director
- Due cuori felici (1932) – Screenplay
- Lo sciopero dei milioni (1947) – Director
- Amore mio (1964) – Story
- Il serpente a sonagli (1935) – Director
- Joe il Rosso (1936) – Director