Acting · geboren 1938-01-04 · Rimini, Italy
Scilla Gabel
She was born Scilla Gabellini, one of five siblings, in Rimini on the Adriatic coast. Scilla initially studied law at Oxford University, graduating with a doctorate. Her interest in pursuing a legal career waned quickly, however, since her next move was a return to Italy for acting classes at Rome's Accademia Nazionale d'Arte Drammatica. At the age of seventeen, the voluptuous, blue-eyed Scilla became a body double for Sophia Loren (to whom she bore more than a passing resemblance), notably in the classic Boy on a Dolphin (1957). Two years later, she underwent cosmetic surgery to look less like Sophia in order to forge her own screen image. In 1963, Scilla featured on the cover of several magazines, including Playboy, the Milanese publication Le Ore and Parade (at the time, the most widely read weekly in the U.S.). Though she went on to command leads in a number of films during the 60s, Scilla tended to be typecast in roles which emphasized her physical attributes, rather than her acting ability. She appeared most often in genre films, anything from innocuous sex comedies (Genitori in blue-jeans (1960), Bel Ami 2000 oder Wie verführt man einen Playboy? (1966)) to swashbuckling costume dramas (La Venere dei pirati (1960)), and from spaghetti westerns (Johnny Golden Poker (1966)) to peplum spectacles (Death on the Arena (1962), The Revenge of Spartacus (1964)). After 1971, she was afforded more challenging and critically acclaimed roles as a star in Italian TV miniseries. Eleven years after leaving the screen, Scilla attracted media attention as a result of the murder of her 87-year old landlord father Giuseppe, by a crazed tenant at his villa on the via Campi di Torre Flavia in Ladispoli.
Bekannt aus
- Die Mühle der versteinerten Frauen (1960) – Elfie Wahl
- I due colonnelli (1963) – Iride
- Modesty Blaise - Die tödliche Lady (1966) – Melina
- Tarzans größtes Abenteuer (1959) – Toni
- Sodom und Gomorrha (1962) – Tamar
- Die Odyssee (1969) – Helen
- Il giorno più corto (1963) – L'amante di un soldato (uncredited)
- Die Odyssee (1968) – Helen
- Gambe d'oro (1958) – Gianna Savelli
- Noi duri (1960) – Josette
- Der Raub der Sabinerinnen (1961) – Dusia
- Hadschi Murat – Unter der Knute des Zaren (1959) – Princess Mario Vorontsova
- Das Geheimnis der gelben Mönche (1966) – La Tigra
- Genitori in blue-jeans (1960) – Colette
- Kopfgeld für Chako (1971) – Susanna
- Bel Ami 2000 (1966) – Anita Bionda
- Eine Leiche für die Dame (1964) – Renata
- Der Sohn von Cäsar und Cleopatra (1964) – Livia
- Venus der Piraten (1960) – Isabella, the Duke's Daughter
- I fuorilegge del matrimonio (1963) – Wilma
- Les canailles (1960) – Gina
- Die drei Wahrheiten (1961) – Rossana
- I ragazzi dei Parioli (1959) – Nuccia
- Call-Girls (1960) – Patrizia
- Dov'è Anna? (1976) – Paola Silvestri
- Un branco di vigliacchi (1962) – Signora De Rossi
- Küß’ mich als gäb’s kein Morgen (1961) – Nadja
- Die gewaltigen Sieben (1962) – Thalima
- Village of Daughters (1962) – Angelina Vimereati
- Tribun und Verschwörer (1964) – Claudia
- Les filles sèment le vent (1961) – Kissa
- Reiter des Schreckens (1963) – Cristina
- I diavoli di Spartivento (1963) – Isabella - duchessina di Collinalto
- Mara (1961) – Mara
- Con rispetto parlando (1965) – Vittoria Oriani, in arte Patricia D'Altamura
- Zärtliche Haie (1967) – Zeezee
- Una storia di notte (1964) – Turista tedesca
- Tua per la vita (1955) – La sartina dell' Atelier
- Djurado (1966) – Barbara Donovan
- Denn keiner ist ohne Sünde (1958) – Lola