Camera · geboren 1904-05-29 · Charleston, Illinois, USA
Gregg Toland
From Wikipedia Gregg Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer noted for his innovative use of lighting and techniques such as deep focus, an example of which can be found in his work on Orson Welles' Citizen Kane. Toland was born in Charleston, Illinois on May 29, 1904. During the 1930s, Toland became the youngest cameraman in Hollywood but soon one of its most sought-after cinematographers. Over a seven-year span (1936–1942), he was nominated five times for the "Best Cinematography" Oscar, including a win in 1940 for his work on Wuthering Heights. He worked with many of the top directors of his era, including John Ford, Howard Hawks, Erich von Stroheim, King Vidor, Orson Welles, and William Wyler. Toland was the subject of an "Annals of Hollywood" article in The New Yorker, "The Cameraman," by Hilton Als (June 19, 2006, p. 46). Just before his death, he was concentrating on the "ultimate focus" lens, which makes both near and far objects equally distinct. He died in Los Angeles, California on September 26, 1948 of coronary thrombosis at age 44. He is interred in the Hollywood Forever Cemetery in Hollywood, California.
Bekannt aus
- Citizen Kane (1941) – Interviewer
- Berüchtigt (1946) – Second Unit Director of Photography
- Früchte des Zorns (1940) – Director of Photography
- Die besten Jahre unseres Lebens (1946) – Director of Photography
- Stürmische Höhen (1939) – Director of Photography
- Onkel Remus’ Wunderland (1946) – Director of Photography
- Jede Frau braucht einen Engel (1947) – Director of Photography
- Die merkwürdige Zähmung der Gangsterbraut Sugarpuss (1941) – Director of Photography
- Die kleinen Füchse (1941) – Director of Photography
- Sackgasse (1937) – Director of Photography
- In die Falle gelockt (1940) – Director of Photography
- Mad Love (1935) – Director of Photography
- Geächtet (1943) – Director of Photography
- Der lange Weg nach Cardiff (1940) – Director of Photography
- Die Elenden (1935) – Director of Photography
- … und ewig siegt die Liebe (1937) – Director of Photography
- The Life and Death of 9413: A Hollywood Extra (1928) – Director of Photography
- Queen Kelly (1932) – Cinematography
- Infame Lügen (1936) – Director of Photography
- Die tollkühne Rettung der Gangsterbraut Honey Swanson (1948) – Director of Photography
- Nimm, was du kriegen kannst (1936) – Director of Photography
- Intermezzo (1939) – Director of Photography
- Street Scene (1931) – Director of Photography
- The Bat (1926) – Assistant Camera
- Mein Mann, der Cowboy (1938) – Director of Photography
- Der 7. Dezember (1943) – Director
- Die Nacht der Liebe (1935) – Director of Photography
- Bulldog Drummond (1929) – Director of Photography
- Skandal in Rom (1933) – Director of Photography
- The Winning of Barbara Worth (1926) – Director of Photography
- The Devil to Pay! (1930) – Director of Photography
- Raffles (1939) – Director of Photography
- Raffles (1930) – Director of Photography
- Der Weg im Dunkel (1935) – Director of Photography
- Heirate nie beim ersten Mal (1934) – Director of Photography
- Whoopee! (1930) – Director of Photography
- The Fighting Generation (1944) – Director of Photography
- Condemned! (1929) – Director of Photography
- The Trespasser (1929) – Director of Photography
- Der Held des Tages (1946) – Director of Photography